GROUNDed


photo by Epp Kubu

From February 19th-24th, MoKS organised another GROUND workshop. It was 2nd time in Mooste and 4th GROUND workshop in general (2 more to come in Poznan and Helsinki).
This workshop focused on fieldwork- 16 participants were given possibility to develop a work or research in public institutions of Põlva, Ahja and Tartu. Our collaborators this time were Ahja elderly home, Ahja Youth Center, Estonian National Museum and Põlva Art School.
Though participants had to face several limitations, hardest of them were probably time, language barrier and novelty of a situation, there were strong connections and works developed.

AHJA ELDERLY HOME
Group: Epp Kubu, Lumi Kylm, Iina Ukkonen
At 1st sight most difficult and depressing place. Elderly home is located on ground floor in one of the block houses in Ahja. 15 inhabitants between ages 59-93, all in very different physical and mental conditions.
Epp, Lumi and Iina approached the inhabitants of elderly home with great sensitivity and openness, using different ways to get closer to the place and its people. Eg drawing and everyday chatting. Their research is concluded in a tear bringing short-film Nooruse 2, where you get to know some inhabitants of elderly home. Men and women are portrayed while listening to their favourite music from their youth.

ESTONIAN NATIONAL MUSEUM (TARTU)
Group: Tanel Rander, Katariina Hillo, Piotr Gasiorowski, Susanna Jurvanen
Young and eager team of curators and organisers from Estonian National Museum offered for a GROUND group possibility to interact with their new exhibition. It was the show about consumption culture in Estonia in the turn of the century. As the exhibition was all ready, the GROUND group felt pressure of adding something meaningful for the show.
The exhibition is dominated over 3200 drawings by kids about their most liked and unliked presents. As the exhibition represents and analyses mostly views of active and potential consumers, the GROUND group felt that something is missing- namely the voice of people who are not anymore the targets of marketing. So they conducted a series of interviews with Tartu and Ahja elderly home inhabitants, asking about their youth-hood consumption habits.

AHJA YOUTH CENTER
Group: Nooralotta Ikonen, Anna Kolacka, Dawid Marszewski, Madis Kuningas
The place what seems to have most possibilities and openness, turned out to be a real puzzle for our GROUND group. Tens of kids, all listening to their own music, playing it from headphones, or playing it out loud from small phones or mp3 players, all doing their things, running here and there. How to get them focused? How to cross the language barrier? During the week Nooralotta, Anna, Dawid and Madis tested different ways- playing drums, drawing a common drawing, building a snowtown…
In the final presentation visitors entered the space, what had no kids, but sound, lot of different sounds, recorded during the week in the Youth Center.

PÕLVA ART SCHOOL
Group: Kristiine Špongolts, Hannes Einpaul, Adrianna Borucka, Sylwester Piasecki, Kaisa Karvonen
Põlva Art School is run by an energetic woman called Anne Prangel. As this was very busy week at school, she gently directed our GROUND group to explore the rest of the house where the school is located. The school is on the top floor of the castle-looking Põlva Culture Centre building. Built in 1980ies, the house was meant to be the main cultural centre for the Põlva county, hosting theatre plays, rock and classical music concerts, conferences and fairs. The current situation is different, Põlva cultural centre has definitely the biggest house, but it is one among many others in the area. That means high competition for resources and struggle for finances. Where one has to make a decision whether to put most of its finances into heating and lighting up the giant culture building or developing its programme.
Kristiine, Adrianna and Hannes conducted a series of interviews inside the culture house and outside around town, asking people about their relationship with that building. Sylwester developed a performance, where one could see a man inside a structure, walking with it around the room and trying to get out from the room.

Yes the time was short for developing meaningful relationships and works, but both sides (hosts and artists) could take it as an exercise for creative everyday living and bringing sense into daily routines.

We would like to thank all participants and our collaborators from the locations, particularly Piret Palm from Ahja Youth Center, Milvi Groznõi from Ahja Elderly Home, Anne Prangel from Põlva Art School, Maire Pedras from Põlva Culture Center, Siim Angerpik, Jaanika Jaanits, Pille Runnel and Taavi Tatsi from Estonian National Museum.

Supported by Grundtvig Lifelong learning programme.

photoes by Siiri Kolka and Evelyn Müürsepp

Leidnikerdajate klubi – Serious Tinkering Club

Danny, Madli, Tuuli and Patrick have just started ...


On 2nd of February 2012 we started a new monthly gathering in MoKS – the Serious Tinkering Club (Leidnikerdajate Klubi). This club is all about inventing, tinkering-reusing-sharing knowledge and appropriating. At the first meeting Tuuli Tubin led a workshop in making wallpaper out of old fabric. It was really inspiring to see how all of the participants had very different approaches:
Madli having the most fantastically colourful picture, rich in additional details;
Danny continuing in the mood of tonal nuances that you will all be able to see in his exhibition soon in our basement gallery (the product of his residency at MoKS);
Patrick going much more geometrical and teaching all of us an important lesson – not all the fabrics stick with the ‘seinaliim’ glue used;
and Siiri thinking a bit too much while planning the composition – but being very excited herself to practice (and Tuuli was the best advisor there):

The general technique is rather simple: you need old fabric for your composition, plastic mesh (and old newspaper to put under it to protect your table/floor), the white wall(paper) glue (‘seinaliim’), spatulas to spread the glue on the fabric.
While we were rehearsing the basics, Tuuli herself experimented with a technique of cutting the fabric into tiny pieces, mixing it into a mass with glue, and spreading this over the mesh. This also seemed to have a really nice outcome.

You are all welcome to join in next time and bring your ideas with you – which means also proposing your own subject and guiding other tinkerers! For example, at some of the next meetings we are probably going to experiment different techniques to tie-connect-glue cardboard with environmentally rather harmless materials (avoiding nails or staples, for instance) to make sculptures or – why not – some useful objects for the household. This will also serve the much bigger MoKS plan that you will hear more about soon – just to keep up the excitement!

The next club is planned for the 1st of March, the doors open at 17:00 and the tinkering foes on until 20:00.
The cost per club night is 3€.
Info: moks.ee
moks_at_moks.ee

animation workshop with Elin Grimstad

Results of the animation workshop given by MoKS Nordic/Baltic resident Elin Grimstad made is cooperation with 5th grade students from the Mooste school. Its a warm winter so the story is quite true.

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Matchbox camera workshop at MoKS, November 26 to 27

Madli pilt koolimajast

Madli pilt Mooste koolist

During these very grey November days, hoping and waiting for the snow and sunlight, the matchbox camera workshop was held at MoKS. The good reason for this was having someone practiced in the mentioned craftwork – Daniel Allen – here as part of a two-month residency at the end of 2011.
So as planned, on Saturday the 26th, a small group of people gathered to learn the secrets of this strange craft. See the gallery below!

The process itself is not actually very complicated – just fairly. Here are main supplies you need:
- an empty matchbox – to cut different size of holes in different parts;
- a little piece of foil (stronger than cooking foil) and a pin to make a hole;
- a black pen to colour the inner parts of the box to avoid any light being reflected anywhere;
- some card to build the shutter;
- a film, of course, and also one old empty film cassette;
- black tape to make your camera fully lightproof;
- and a bit of sponge and half a clothes peg – for spooling the film from one cassette to another smoothly and successfully.

I would say the most difficult part, requiring most assistance needing, is getting the size of the pinhole (aperture) right – to be able to match it later with the approximate shutter speed in certain light conditions.
One of the most beautiful things about taking the photos with such a camera is the game between predictability and unpredictability. One takes pictures of the chosen subjects usually very consciously and also recognises most of these things later on the photos. And there are some extras as well that appear as certain effects (which can emerge from the “mistakes” made while building the camera). Actually there’s hardly any outcome that wouldn’t have these extras – in most cases, I would say, enriching the results.
It should be said that once the film is full of pictures, the camera has to be destroyed to get out the negatives. The good part of this is, however, that if you became good friends with the relations between aperture, light evaluation and shutter speed, you can re-use the same pinhole – as you remember, it’s the hardest part – to build the next camera.

And some more good news is that if you are interested, then please keep an eye on MoKS’ activities in winter-spring 2012 – we are planning to have more of these workshops!

Public Office for Architecture / Kid Space Cabinet

MoKS was home to the Public Office for Architecture during the whole month of August as part of the X_OP residency program. The nomadic architecture project was accompanied by Kid Space Kabinet, a continuation of Fantasy World Workshop by artist Cristina David.

The Public Office for Architetcure explores the link between private and public interest in the practice of architecture. A temporary architecture office was established at MoKS, open to the public and free of charge. The public was invited to consult any architectural needs or questions they may have. In return every project that was taken on by the Public Office added one component to the program of requirements that was decidedly of public interest, initiating a dialog between private needs and public needs in the dynamics of architectural services. Four distinctly different projects were taken on by the office while in Mooste which will be followed up over the coming months.

The Public Office for Architecture is conceived as a nomadic project that will span over several years. The inaugural project hosted by MoKS was followed by Public Office for Architecture at Galeria HIT in Bratislava, with several projects planned for 2012. The accumulated work will serve as a collection of case studies to argue for a revision in the client-architect relationship within the practice of architecture as a service industry.

Public Office for Architecture is generously supported by MoKS, Galeria HIT, CECArtsLink and the Center for Sustainable Practice in the Arts. Many thanks to Evelyn and Siiri from MoKS and to our fabulous assistant and translator Iris Allese.

pair work by Trish and Dan Scott

pair work

the serious side of Dan and Trish Scott

MoKS September residents from the UK, Trish and Dan Scott set up the PAIR WORK blog for their collaborative experiments. Please have a look to see just how productive they were.

GROUND 2 at moks

GROUND is a collaborative project supported by the EU life-long learning programme, Grundtvig. It is a collaboration between MoKS, Art School MAA of Helsinki Finland and the Art University of Poznan Poland.

This 5-day intensive workshop focused on Strategies of Culture, Collaborative Methods and Site-Specific art practices. We focused on the theme of ‘Narratives’ that includes three areas; the personal, the larger social and site or object narratives. The idea of narrative was explored beyond the basic notion of stories, where we looked at what constitutes the foundation or conditions that allow narratives to develop. The week activities consisted of practical fieldwork and exercises, artist presentations and discussion rounds in an open setting of international artists and students. We want to thank the 20 participants for their time and energy for a very productive week. We are looking forward to the next meeting in Helsinki.

works by Stuart and Yelena

We were fortunate to have a (short) visit by Stuart Hodges and Yelena Popova from the UK. Yelena screened her recent film “UNNAMED” about the forbidden city in Russia where she is from. You can view the film here:

They also documented some events. This is a lecture/performance by Stuart:

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And here is a video document of the final performance of Bruno Humberto’s workshop at AVAMAA 2011:

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Tuned City Tallinn 2011

MoKS was the co-producer of Tuned City Tallinn along with Dock e.V. of Berlin. We want to thanks everyone for their help, participation and support for making this an unforgettable event. Below are a series of galleries showing just a few of the highlights of the event  between July 4th and 10th, 2011. Tuned City Tallinn was part of the official program of Tallinn 2011 European Capital of Culture.

Gallery #1

Gallery #2

art school summer practice

For the second year MoKS has hosted the ‘summer practice’ for students from Tartu Art College sculpture department. The aim is to allow students to experiment and gain practical experience in a non-school setting. The weeks activities were guided by John and Evelyn who led a series of exercises that focused on the idea of site-specific environmental art. Using the greater context of Mooste village and its surroundings, the students were also given time to develop their own works. They also had a chance to learn about the practices of other artists who were in the residency at MoKS and to get a historical overview of site-specific art practices from historian Maarin Ektermann. Despite the changing weather conditions, it was a productive week overall and we hope to host another group of creative people next year.