After Curatorial Dinner exhibition

The artistic project ‘After curatorial dinner’ was conceived by Petra Kapš during her one month x-op residency in MOKS. She researched the artistic production of a number of artists (Riho Kall, John Grzinich, Evelyn Müürsepp, Toomas Thetloff, Patrick McGinley, Erkki Luuk, Anna Hints) through dinner conducted as a social ritual. The exhibition contained works that were produced in connection to the process of her residency.

MUTOPIA 6

The 6th edition of MUTOPIA was held during the event and was led by Tero Nauha and John Grzinich. While the group was fairly small the effort was of the participants was highly focused and concentrated. Most of the workshop took place in the public spaces around Tomar and focused on two locations in particular, the monument outside the courthouse (in the middle of a parking lot) and the main gardens under the castle. Below is a short video compilation that randomly composites some of the sound, movement and text exercises.

Click here to view the embedded video.

Early in the morning on August 24th, just after AVAMAA, some construction workers peered through the windows at the back of MoKS only to find some artists sleeping on the hay inside. Tere hommikust! The renovation of MoKS has begun. First the facade and re-grading of the exterior will be done, while it is warm I suspect. In parallel the basement will be worked on to secure the foundation. Then they’ll move on to the interior, heating system and other details. The amount of work is significant yet according to plan, everything should be ready by the end of 2010. Lets see… check here for updates.

This means some temporary changes will be made to the residency program, particularly for 2010. We are looking into some option to keep the residency open but probably scaled down and at another location. If you are planning to apply, please write and ask about the status of the program and be prepared for a flexible situation.

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During the remaining 2 weeks and 3 days of my precious time at MoKs
I will be wandering around on the blog now and then.
yours truly,
Sandra Sitron

After visiting some of the nearby forests around Mooste it is clear that this will be a big year for blueberries. A small group of 4 people from the residency was able to collect more than 2 liters of berries in just over an hour. What does one do with all these berries? They’re just fine eaten fresh, but you can easily make pies, jams, smoothies and have extras to share with friends and family.

A small experiment is being done to see if we can sustain a garden at MoKS. We hope the garden can be functional for producing food for visiting artists especially during the time of AVAMAA the summer art symposium in late August. But besides being practical, a garden can be a place to continue to develop the discussion of local food production by setting the idea into practice. So far we have, potatoes, beans, rucola, strawberries, rhubarb and a number of herbs taking root. A garden is also a way to share the work around MoKS. With visitors coming and going each month, some forms of continuous collaboration can happen even between people who will never meet. This was part of the idea of Ana Carvalho when she started the garden in May. So this is partly a report for her to show how her project has developed. In this case visiting artists Tero Nauha and Karolina Kucia made some contributions including the start of a rock garden.

One of the main themes that was explored during the residency of Emma Lipp and Matt Marble was local food production. While searching for ingredients for their meals a number of sources for local food came out with a little research (besides what we try to share from our garden in the summer). The son of an entrepreneur in Mooste manages a factory and farm for pickling which includes cucumbers, potatoes and cabbages all grown on site. We went to visit the facility to see how the production was done. Much to our surprise, we found out it is possible to cure pickles in 24 hours! These are not the usual kind of sour pickles made with vinegar, but only from salt and spices. The result, fresh and delicious!

Evelyn and John from MoKS are spending a few weeks in Dresden Germany in a residency at 7.Stock. This literally means 7th floor which is what it is. We occupy a studio on the 7th floor of an old DDR administrative building in the center of the city. The building is mostly empty with the exception of a number of artist studios on the 6th and 7th floor. While this is an almost ideal situation there are a number of ongoing problems, mostly of a political nature with different administrative departments of the city. These problems essentially keep the 7.Stock project from growing and going more official. Nonetheless this artist initiative has hosted many artists and events over the past few years in a sincere and well coordinated manner.

Our aim here is rather open, to work on continuing personal projects and to prepare for a performance in Berlin. There we will take part in the parahouse12 multimedia event organized by Marko Kosnik in cooperation with X-OP project.

Tero Nauha wrote an excellent essay AVAMAA IN MOOSTE for SIRP cultural weekly.

Over the last few days while we were out for an excursion for the Autopuut project, the demolition men came and started to physically remove the walls of the soviet past that have marked the northern half of the house where the MoKS studios are located. Once the dust cleared we could see the place start to open up.

This event marks the beginning of the renovation process for the house. Over the next 3 years we hope to see all the available space in the house be cleaned up and converted to usable space. The old ovens will be replaces with new ones, windows, doors, floors replaced and utilities will be installed.

The goal is to have 3 more studios available (and possibly a sauna in the basement) for guests to use. While this sounds ideal it will still take a great deal of time and energy. Until then we will try to keep the existing programs running and word on developing future plans to keep up with the expansion process.

Esialgne fotoülevaade.

Väisasime Johniga konverentsi: International opportunities for the artists. Boston 27.-29.aprill 2007
Siinsiis raport:

Tänapäeva Kunstimaailm on pakitud üsna kivinenud võrgustikesse ja biennaalidesse. Selleks et olemasolevate võrgustike vahel uusi ühendusi luua kutsus Bostoni ühenaise organisatsioon, nimega Transcultural Exchange, Mary Shermani isikus koostöös Massachusets College of Arts´iga aprilli lõpus Boston MAsse erinevate kunstiprogrammide ja residentside esindajaid ning kuraatoreid üle maailma. Ühtekokku kogunes sellesse ülikoolidest tiinesse linna üle 50 erineva organisatsiooni esindaja Jaapanist Brasiiliani, Soomest- Austraaliani. Konverents oli demokraatlik, kaasates nii uusi kui vanu, alternatiivseid ja traditsioonilisi kunstiilma võimalusi ja tegijaid (n. Academie Schloss Solitude, BANFF Center (Kanada, tegev alates 1933 aastast), Fullbright´i ja Unesco programmid, CAMAC Prantsusmaalt, Platform Garanti Istanbulist, Taipei artists village, Instituto Sacatar Brasiiliast jne). Ühtekokku peaet taluvuse piiril kirjumirju kunstiprogrammide ja – võimaluste vikerkaar.
Tegemist oli USAs üsna senikuulmatu konverentsiga (osalejate ampluaa ja põhirõhk justnimelt USAst väljaspool toimuvale) ja nii oli huvi konverentsi vastu oodatult suur.
Kuulamishuvilised olid valdavalt USAst endast, osalejate iga varieerus, 25- 70 eluaastani.
Üheks konverentsi korraldamise motiiviks näis olevat konverentsi ühe kaaskorraldaja Massachusets College of Artsi idee saata tulevikus iga oma bakalaureuseastmes üliõpilane mõneks ajaks USAst väljapoole kogemusi omandama. Niiet neile oli konverents võimalus kaardistamiseks ja sidemete sõlmimiseks.
Konverents oli organiseeritud äärmiselt tihedalt, üheaegselt käis kuni 5 erinevat paneeldiskussiooni ja need kõik toimusid linna mööda laiali erinevate ülikoolide kampustes. Niiet end kuulama jagada oli üsna paras pähkel. Lisaks toimusid paneelide vahepeal veel tuurid MITis (Massachusets Institute of Technology), Massachusets College of Artsis ja kohalikus ICAs (Institute for Contemporary Arts), samaaegselt toimus ka kunstnike näost-näkku nõustamine ja nende portfooliote kritiseerimine konverentsil kõnelenute poolt. Lisaks kõigele toimus samal nädalavahetusel Bostonis veel teisigi konverentse (MITi korraldatav Creativity, ownership and collaboration in the digital age) ja festivale (Boston Cyberarts Festival) kuhu oleks tahtnud samuti pilku heita aga mida teha kui ka Bostoni ööpäevas on ikka vaid 24 tundi ☹.
Seega oli konverentsil füüsiline täiemahuline osalemine ilmavõimatu, niiet infot mujal toimunu kohta tuli lisaks hankida teiste osalejate ja kõnelejate käest õhtustel dineedel, Dineed tõid lisaks osalejaile kokku ka konverentsi patroonid, niiet ühel õhtul istusin lauas jaapani kuraatori, tai kunstniku, ekuadori-hiina päritolu Bostonis elava aktivistist kunstitudengi, prantsuse kuraatori, teist põlve ameeriklase aga Hiina päritolu hambaarsti ning India pankuri ja tema veetleva hindust tüdruksõbraga Londonist. Pankur ja hambaarst olid ühed ürituse paljduest patroonidest ja nende vahel kujunes pinev kõnelus, mis kogu laudkonna kaasas. India mees viskas hiinlase (praeguse ameeriklase) üle pidevalt varjatud hambaarstinalju. Mine tea kas asi oli selles, et üks oli olnud ürituse heldem sponsor kui teine või et üks oli ameerikas elanud kauem kui teine. Igatahes oli asi piisavalt naljakas ja internatsionaalselt absurdne, millele lisas vürtsi veel India mehe aktsent (vrd hindust Kwik-E-Marti kaupmees Apu Nahasapeemapetilon Simpsonites)

Konverentsi eesmärgiks näis olevat anda USA kunstnikele võimalikult suur ülevaade maailmas olevatest võimalustest., seda ideed kirjeldab juba konverentsi nimiga International opportunities for the artists (Rahvusvahelised võimalused kunstnikele). Kuigi paneelid olid jagatud teemagruppide kaupa näiteks nagu väikesed residentsid, interdistsiplinaarsed residentsid, teaduse, tehnoloogia ja kunsti sidumisele keskendunud residentsid, ülikoolide residentsid, noortele kunstnikele mõeldud residentsid, jne, jne. Tundus selline jagamine olevat üsnagi suvaline (MoKS paigutus interdistsiplinaarsete residentside paneeli aga oleks vabalt võinud olla ka väikeste residentside või siis koostööle suunatud residentside paneelis). Ühe konverentsil osalenud kunstniku sõnul valis tema paneele peamiselt selle järgi, mis maal üks või teine residents paiknes. Kunstnike resideerumise üheks oluliseks osaks on alati olnud eksootika, põnevus ja uued võimalused mida uus kultuuri ja looduskeskkond pakub.
Resideerumisvõimalustele lisaks tutvustati paneelidel kuidas üldse resideeruma kandideerida, kuidas portfooliot koostada. Oma võimalusi tutvustasid sellised programmid nagu DAAD, Fullbright, Siemens art program, Unesco, ArtsLink, Trust for mutual understanding, jne. Samuti räägiti ühel paneelil konkreetsete näidete varal sellest kuidas kunst seostub sotsiaalse ja majandusliku arenguga.
Igatahes maailm on võimalusi täis ja kui kellelgi on huvi või tahab muidu nõu küsida, kuhu resideeruma minna, kuidas minna ja kust rahasid hankida, siis olen lahkelt nõus kogutud infot jagama (eku_AT_moks.ee). Minu sõit sai võimalikuks tänu endiselt suuremeelsele KULKAle.